Carolyn Sampson

Carolyn Sampson热门歌曲

Carolyn Sampson - Mass No. 18 in C Minor, K. 427, "Great" (completed by F. Beyer):Kyrie (Chorus, Soprano)
Carolyn Sampson - 6 Gesänge, Op. 89:nge, Op. 89: No. 6. Roselein, Roselein!
Robin Blaze - Mass in B Minor, BWV 232 (Highlights): Gloria: Gloria in excelsis Deo (attacca)
The King's Consort - Tune your harps to cheerful strains (from Esther)
Boston Early Music Festival Chorus - Psyche:Act II Scene 5: Quels agreable sons ont frappe mes oreilles? (Psyche, Nymph, Zephyr, 2 Zephyr, L'Amour)
Aaron Sheehan - Psyche:Act II Scene 6: Et bien, Psyche, des cruautez du Sort (L'Amour, Psyche)
Carolyn Sampson - Exsultate jubilate, K. 165: Aria (1779 revised version)
Carolyn Sampson - Vesperae solennes de confessore, K. 339:Laudate Pueri
Carolyn Sampson - Drink to Me Only with Thine Eyes
Carolyn Sampson - Tilge, Höchster, meine Sünden, BWV 1083:(Soprano, Alto)
Carolyn Sampson - Lost Is My Quiet Forever, Z. 502 (Arr. B. Britten)
The King's Consort - Up the dreadful steep ascending (from Jephtha)
Carolyn Sampson - Mein Herze schwimmt im Blut, BWV 199: I. Recitativo "Mein Herze schwimmt im Blut"
Carolyn Sampson - Mein Herze schwimmt im Blut, BWV 199: VII. Recitativo "Ich lege mich in diese Wunden"
Carolyn Sampson - Frauenliebe und Leben, Op. 42:No. 4, Du Ring an meinem Finger
Carolyn Sampson - Le papillon et la fleur, Op. 1, No. 1
Carolyn Sampson - 6 Lieder, Op. 13 (Excerpts):No. 4, Der Mond kommt still gegangen
Carolyn Sampson - Fleur jetée, Op. 39, No. 2
Gabrieli Players - Paride ed Elena / Act 2 / Scene 2:Regina! O Dei
Carolyn Sampson - Lieder, Op. 12 (Excerpts):No. 4, Liebst du um Schönheit
Carolyn Sampson - Offrande
Gabrieli Players - Paride ed Elena / Act 3:Quegli occhi belli
Carolyn Sampson - Frauenliebe und Leben, Op. 42:No. 1, Seit ich ihn gesehen
Carolyn Sampson - Lieder und Gesänge, Vol. 2, Op. 51 (Excerpts):No. 5, Liebeslied
Carolyn Sampson - Myrthen, Op. 25 (Excerpts):No. 12, Lied der Braut II "Lass mich ihm am Busen hangen"
Carolyn Sampson - 4 Gesänge, Op. 142:No. 3, Mädchen-Schwermut
Dunedin Consort - Ode for St Cecilia’s Day, HWV 76: X. Aria. The Soft Complaining Flute
Dunedin Consort - Ode for St Cecilia’s Day, HWV 76: XV. Solo and Chorus. As from the Pow’r of Sacred Lays
Carolyn Sampson - Suleika II (Ach um deine feuchten Schwingen), Op. 31, D. 717
Barockorchester Stuttgart - Messiah, HWV 56 / Pt. 1:18. "Rejoice Greatly, O Daughter Of Zion"
Carolyn Sampson - Blondel zu Marien, D. 626
Carolyn Sampson - Messiah, HWV 56 / Pt. 3:45. "I Know That My Redeemer liveth"
Carolyn Sampson - Poi che volse la mia stella
Jeffrey Skidmore - La lyre enchantée: II. Gavotte. Lyre enchanteresse
Carolyn Sampson - Vom Pagen und der Konigstochter, Op. 140:Ballade I: Lebhaft, nicht zu schnell
Henry Purcell - Abdelazar, Z. 570 "The Moor's Revenge": No. 10, Lucinda is Bewitching Fair
Carolyn Sampson - Chansons grises:No. 2. Tous deux
Carolyn Sampson - The Sky Above the Roof
Franz Joseph Haydn - The Seasons, Hob.XXI 3 Summer: No. 17, Ah! The Storm Approaches Near! (Chorus)
Carolyn Sampson - St. Matthew Passion, BWV 244, Pt. 1:No. 13, Ich will dir mein Herze schenken
Carolyn Sampson - St. Matthew Passion, BWV 244, Pt. 1:No. 27, So ist mein Jesus nun gefangen
Carolyn Sampson - St. Matthew Passion, BWV 244, Pt. 1:No. 12, Wiewohl mein Herz in Tränen schwimmt
Carolyn Sampson - Christmas Oratorio, BWV 248 / Part Five - For The 1st Sunday In The New Year:No. 51 Terzetto (Soprano, Alto, Tenor): "Ach, wann wird die Zeit erscheinen?"
Carolyn Sampson - The Seasons, Hob.XXI 3 Spring: No. 1, See Winter, Stern and Gloomy, Flees (Introduction & Accompagnato)
Carolyn Sampson - Christmas Oratorio, BWV 248 / Part Six - For The Feast Of Epiphany:No. 63 Rezitativ (Sopran, Alt, Tenor, Baß): "Was will der Hölle Schrecken nun?"
Carolyn Sampson - Christmas Oratorio, BWV 248 / Part Four - For New Year's Day:No. 39 Aria (Soprano, Echo-soprano): "Flösst, mein Heiland, flösst dein Namen"
Carolyn Sampson - Christmas Oratorio, BWV 248 / Part Six - For The Feast Of Epiphany:No. 56 Rezitativ (Sopran): "Du Falscher, suche nur den Herrn zu fällen"
Carolyn Sampson - The Fairy Queen, Z. 629, Act IV:Song & Chorus – Now the Night Is Chas’d Away (Suckling/McCreesh Edition)
Choir of The King's Consort - Parnasso in Festa, HWV 73, Pt. 1: No. 20, Coro e Soli. S'accenda pur di festa il cor (Clio/Calliope/Apollo)
Carolyn Sampson - Ich bin in mir vergnügt, BWV 204: No. 2, Ruhig und in sich zufrieden
Carolyn Sampson - No.4 from 5 Ophelia-Lieder, WoO 22:Opheilia-Lieder, WoO 22 (Excerpts): No. 4, Sie trugen ihn auf der Bahre bloß
Carolyn Sampson - Drei Lieder der Ophelia, Op.67:6 Lieder, Op. 67, TrV 238 (Excerpts): No. 1, Wie erkenn ich mein Treulieb vor andern nun?
Carolyn Sampson - Chansons de Bilitis, L97: 90: No. 2, La chevelure
Carolyn Sampson - 5 Ophelia-Lieder, WoO 22:Opheilia-Lieder, WoO 22 (Excerpts): No. 1, Wie erkenn ich dein Treublieb?
Carolyn Sampson - O holder Tag, erwünschte Zeit, BWV 210:No. 2, Spielet, ihr beseelten Lieder
Mahan Esfahani - Bist du bei mir (Formerly Attrib. Bach as BWV 508)[Voice & Harpsichord]
Jeffrey Skidmore - Platée, RCT 53: Aux langueurs d'Apollon
Choir of The King's Consort - Beatus vir I a 6, SV 268
Carolyn Sampson - Schaffs mit mir, Gott, nach deinem Willen, BWV 514
The King's Consort - O sacred oracles of truth (from Belshazzar)